Scoring for the Screen
We’re currently scoring five independent features, and our playing can be heard across major motion-picture recordings. We approach film scoring as a conversation between music, image, and story; our work is grounded in both the intimacy of building a score from the ground up and the scale of the studio recording process.
A first look at SLAY, an unreleased independent neo-slasher with an original score by Matt Compo. Tense, cinematic, and built to pull you in before the film even begins.The feature is currently unreleased.