Scoring for the Screen
We’re currently scoring five independent features, and our playing can be heard across major motion-picture recordings. We approach film scoring as a conversation between music, image, and story; our work is grounded in both the intimacy of building a score from the ground up and the scale of the studio recording process.
A first look at SLAY, an unreleased independent neo-slasher with an original score by Matt Compo. Tense, cinematic, and built to pull you in before the film even begins.The feature is currently unreleased.
Reimagining the Cut
Original rescoring studies that examine how a new musical language can alter the rhythm and narrative tension of an existing trailer. Created independently.
The Batman (2022) — Trailer Rescore
Blade Runner 2049 (2017) — Trailer Rescore